-she's sitting, alone, on a concrete block, stranded in the middle of a wasteland
-she's counting objects: [one - a plastic fork, one tine missing] [two - a discarded trainer, shoelace detached] [three - a picture, ripped up into one... two... three - no, four - pieces]
-the sun is rippling along the creases of her back and neck as tide against sand
-is being here any less absurd than being anywhere else?
-she is stretching herself out on the block, watching birds spin fleetingly across the sky
-there should be, she is considering detachedly, a philosophical basis for this moment
-thoughts ensue, although she is not quite in control of them, nor is she trying to become so
-there is not, she concludes, a philosophical basis for this moment
-she's watching a ladybird crawling laboriously up the concrete block. it will never reach the top
-this is an irony which amuses her
-is this narcissism? egoism? amour-propre? does it make any difference?
-it's been a while since she last felt that if there's a choice between cataclysm and a cup of coffee she'd rather be in costa
-she is wondering, quite slowly and quite lazily, if she must, in fact, mind that there is no philosophical basis for this moment
-this moment feels, at least, like it justifies its outcome
-or is this just an exercise in subjectivity?
-shut up and feel the sun against your skin
-lying here is a lie that'll survive a few hours and a suntan
2 Comments
Riley Noel
I really like the way this piece is written. Having each line spaced the way you do makes it seem like the narrator is making a list rather than telling a story. Which is a really neat take on traditional poetry.
INVISIBL3
I love the style of this piece, and no, I don't think it's pretentious. Great job writing this!